What It's Like

"What It's Like"
Single by Everlast
from the album Whitey Ford Sings the Blues
Released November 10, 1998 (1998-11-10)
Format CD single
Recorded 1997
Genre Blues-rock, hip hop
Length 5:03 (Album Version)
4:37 (Video Version)
3:50 (Radio Edit)
Label Tommy Boy Records
Writer(s) Everlast
Everlast singles chronology
"On Point" (with House of Pain)
(1994)
"What It's Like"
(1998)
"Ends"
(1998)
Music sample
"Whats it's Like"

"What It's Like" is a single from Everlast's 1998 album Whitey Ford Sings the Blues. The song is typical of the style Everlast embraced after leaving hip-hop trio House of Pain, being a combination of rock, hip-hop and blues incorporating characterization and empathy towards impoverished protagonists.

The song went to #1 on the Billboard Hot Mainstream Rock Tracks chart for one week and #1 on the Hot Modern Rock Tracks for nine weeks.[1] It also peaked at #13 on the Billboard Hot 100, becoming the singer's only solo Top 40 hit on the US pop chart to date.[1] In the United Kingdom, the song reached #34 on the UK Singles Chart.[2]

Everlast performed the song on Saturday Night Live in 1999, on the show hosted by James Van Der Beek. He also references "What It's Like" on his 2000 song "Whitey's Revenge" in response to an ongoing verbal dispute between him and rapper Eminem. This song was also used as a promo for the 2006-2007 seasons of Law & Order: Special Victims Unit and Law & Order: Criminal Intent.

Song structure

Structurally, the song consists of three verses, a chorus and a bridge. The last line of the chorus varies in accordance with the particular situation faced by the character in the preceding verse. Each character is presented in a sympathetic light as a victim of circumstance and as being an object of derision. Each verse ends with the line God forbid you ever had to walk a mile in his/her shoes (in the third verse, "...you ever had to wake up to hear the news") and Cause then you really might know what it's like to, with the action varying depending on what the character has to do (sing the blues, have to choose, and have to lose, respectively).

The characters are:

At the end of the music video for the song, all of the characters (along with other people) are crowded around a window. Behind the window, an idyllic family is having an enjoyable dinner, oblivious to the less fortunate who are outside.

The Video and Radio Versions use sound effects to cover up the numerous profanities in the song. The Radio Edit omits the third verse that deals with the character Max, cutting about 1 minute off the 5 minute song.

Charts

Singles Charts Year Position
U.K. Singles Chart 1999 34
U.S. Billboard Hot 100 1999 13
End of year chart (1999) Position
U.S. Billboard Hot 100[3] 28

References

  1. ^ a b Whitburn, Joel (2004). The Billboard Book of Top 40 Hits, 8th Edition (Billboard Publications), page 213.
  2. ^ UK Singles Chart info Chartstats.com. Retrieved 8 May 2009.
  3. ^ "Billboard Top 100 - 1999". http://longboredsurfer.com/charts.php?year=1999. Retrieved 2010-08-28. 
Preceded by
"Turn the Page" by Metallica
Billboard Mainstream Rock Tracks number-one single
February 13, 1999
Succeeded by
"Heavy" by Collective Soul
Preceded by
"Never There" by Cake
Billboard Modern Rock Tracks number-one single (first run)
December 26, 1998 – February 20, 1999
Succeeded by
"Every Morning" by Sugar Ray
Preceded by
"Every Morning" by Sugar Ray
Billboard Modern Rock Tracks number-one single (second run)
February 27 – March 16, 1999
Succeeded by
"Every Morning" by Sugar Ray